Leap into Books Giveaway Hop!

Today, I am participating in something called a Blog Hop! I’ve never done this before, so I am pretty excited. Since I thought I might have some new visitors to my blog, I thought a great way to introduce myself would be to  share a little sample from my debut mystery novel SWIMMING ALONE (Fire & Ice YA, Aug. 2015). Then make sure to enter the giveaway, and visit the next blog on the hop!

Below is a  sample from the first chapter:

Chapter One

 The Sea Side Strangler Strikes Again!

Leave it to my mentally unstable, common sense impaired parents to ship me off to the only town in America with an active serial killer on the loose. I could so easily have the life squeezed out of me by some deranged killer. Now that would be the ultimate revenge. I mean, talk about a guilt trip—not that I’d be alive to benefit from it. And quite frankly, I’d prefer to die peacefully, in my sleep, at the age of one hundred and eight, thank you very much.

But seriously, what kind of psychos send their only daughter, their bundle of joy, the light of their lives away to a town where dead bodies keep washing up on shore? My parents, that’s who—all so they could strangle each other without having to worry about me getting in the way. Not literally, just legally. You know—the “d” word: Divorce. The week before they shipped me off, Mommy dearest smashed one-half of the Tiffany china when she found a foreign thong in Daddy’s glove compartment. Now the lawyers are trying to figure out whose half she smashed. (I’d find the questionable thong far more intriguing if I wasn’t totally skeeved.) These are the atrocities they are trying to shield me from.

Serial killers weren’t exactly on their radar when they decided to ship me off.

This particular serial killer wasn’t on my radar either until I saw the headline splashed across the front page of the Beach Point Gazette.

Beach Point, Rhode Island. My current abode. On my own? No such luck. I’m fifteen, but my parents still think I’m five and need a babysitter. I’m staying with my Aunt Bobbie. You might know her as Roberta McCabe, mystery writer extraordinaire. Yeah—that Roberta McCabe. She decided to rent a bungalow this summer here in Beach Point—lock herself in to complete her current masterpiece. I know what you’re thinking—bungalow, beach, mystery writer. Cool, right? Except, there’s a catch.

No TV. No internet. Landline long since disconnected. My only beacon to the world beyond: Aunt Bobbie’s cell phone, which is A) hers, and B) usually off and in her purse and not loaned out to her niece. That would be me—teen girl. Stranded. Cell phoneless. (Long story. There was a toilet involved.) I’m jonesing for a text. I can literally feel my thumb muscles atrophying.

And if that weren’t bad enough, I’ve been forced to find a job. What is the point of spending my summer by the beach if I actually have to work?

The rationale behind this inhumane treatment: “So you stay out of Aunt Bobbie’s hair.” She made it sound like Aunt Bobbie would spontaneously combust if I interrupted her flow of creative juices. But a job? Thanks a lot, Mom. Turns out all the good jobs in Beach Point were already taken. I tried the Smoothie Shop. The Taco Shack. The skeevey guy at the Speedy Link Internet Café wouldn’t even stoop to look at me. He was too busy drooling over his computer monitor. Can we say porn much? (And yeah, who knew internet cafés still existed. I guess it stuck around for all those people who thought they could unplug for the summer, and then realized they couldn’t.)

That’s how I ended up at Ocean View Books one lovely June morning, staring at the aforementioned headline and a picture of a bright-eyed brunette who had apparently washed ashore just days before. The caption read: “Pauline Krystal, 19, Rhode Island State University freshman found dead last Thursday.”

Interested in reading more? You can read the entire first chapter on the Fire & Ice YA website. And the book is available as an ebook and paperback directly from Fire & Ice YA, and also Lulu, Amazon, Barnes & Noble, and Smashwords, or you can request it at your local independent bookstore or library!

You can enter to win a free ebook copy (Mobi or EPub) of SWIMMING ALONE  below! Since it is an ebook, entries are accepted from everywhere.

Then scroll down to visit and visit the next blog on the hop!
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Our Roller Coaster Confidence

This past year has been a crazy year of ups and downs for me. Releasing a debut novel will do that to you! My guest today, Linda Legters describes how I often feel as a writer, and gives some great advice. She is also joining the debut novelist club; CONNECTED UNDERNEATH will be available from Lethe Press this April.

Our Roller Coaster Confidence

By Linda Legters

Was it just yesterday that I wrote that good chapter? Had that clear insight? Why does everything I do sound so awful this morning? Will I ever write a good sentence again?

I’ve never met a writer who hasn’t experienced doubt. Tired of the roller coaster, I decided to find ways to keep the down swings from turning into abandoned projects. Here’s how I steer clear of despair.

Recognize Patterns. I’ll have an off day or two every couple of weeks, while a fellow writer experiences one week of doubt every two months. For those of us who write regularly, confidence swings occur in fairly predictable patterns. Try keeping track. These down days are miserable, but recognizing the patterns allows you to get through them with more patience.

Embrace the inner critic. My inner critic keeps me honest and from being too easily satisfied.  These are good things. When that cruel critic surfaces, I’ve found that it’s best to listen – is there any truth? – before sending it on its way.

Take a break. Not writing for a day or even a few days doesn’t mean I’ll never write again. It’s not that I CAN’T write, just that I can’t write NOW.  I simply need to reboot and refresh. I don’t think it makes sense to beat ourselves up over wasting precious writing time when we could be putting final touches on a piece that is going well, or concentrating on marketing.  Although not producing new work, it’s still time well-spent.

Do something else. Something else completely. Writers often take walks to jog creativity, and this works when I need to find a solution to a manuscript problem, but not when I need to get over a confidence bump. Instead, I’ll do something completely different but that’s also creative, such as painting, or taking photographs. Soon, I’m writing again. I have no scientific explanation, but exploring other realms of creativity seems to access different brain cells, allowing me to make connections that expand into my writing. In miraculous ways, art feeds art.

Here’s to good writing days!

Linda Legters was born in the far western reaches of New York State. She earned her B.A. from the University of New Hampshire and her MFA from Vermont College. She teaches writing and literature at Norwalk Community College and at the Fairfield County Writers’ Studio. Her short stories are about people from across the social spectrum and have appeared in numerous literary journals. She is passionate about art and music in addition to literature. Linda lives in Connecticut and is working on her next novel.

CONNECTED UNDERNEATH by Linda Legters

Madena, upstate New York. Like any other small town, everybody keeps an eye on everybody else’s business without recognizing the secrets that connect them. The wheelchair-bound Celeste conjures up lives from what she sees and thinks she sees while peering through binoculars from her kitchen fan vent. Fifteen-year old Persephone trades sex for tattoo sessions that get her high and help her forget her girlfriend doesn’t love her. Theo was the high-school bad boy who couldn’t have the respectable girl he adored from afar, but now, sitting behind the counter of the last video store in town, worries wretchedly about the restless daughter he never understood. Natalie, trying to grasp the last shreds of respectability, would do anything to forget the baby she gave up long ago, including betray her husband and son. Celeste, longing to connect, combines truth with fantasy, intervenes and interferes, finally understanding that things have gone terribly wrong and that she stands at the heart of disaster.

Connected Underneath is a lyrical, scalpel-keen dissection of the ties that bind and those that dissolve.

 

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HANDA’S SURPRISE: Theater for toddlers

This weekend, my husband and I took our 20-month old daughter into New York City to see The New Victory Theater’s HANDA’S SURPRISE. The production, adapted from the children’s book of the same name by Eileen Browne, was staged by Little Angel Theatre of London, England, and performed in the New 42nd Street Studios.

I was a little worried—and not because New Victory shows aren’t amazing. They are. We took the little one there when she was 9-months old to see BABBLE and had a fantastic experience, which I documented on this blog last year. I’ve seen many, many productions at The New Victory, mostly in my role as a high school drama teacher. Their programming is beautiful, educational and developmentally appropriate for children. We have also been reading HANDA’S SURPRISE by Eileen Browne for the past two months, and my daughter can name all the animals, and most of the fruits.

But last week she had a somewhat traumatizing experience I thought might put her off theater for a while. We made the mistake of taking her to see SESAME STREET LIVE  at the theater at Madison Square Garden. We don’t watch much television in our household, but I will confess I do let my daughter watch ELMO’S WORLD on occasion. (Is there a child that age not obsessed with Elmo?) We have read a bunch of Sesame Street themed books and she loves pointing out all of the characters on her diapers. When I saw discount tickets available on TDF I thought, why not? We bought tickets for a 10:30am show—the perfect time for her schedule. She was rested, well fed, and in good spirits before the show started. And yet she lasted exactly three minute before growing hysterical and repeatedly crying, “Home, home, home.” Later she told me it hurt her ears. All last week she kept saying, “Bert, noisy.” When I would mention that we were going to be seeing another show, she would say, “Noisy. Cry.” And no wonder. SESAME STREET LIVE began with bright flashing lights, and extraordinarily loud techno-style music. Really? I can’t actually comment on the quality of the rest of the production, but from the three minutes I did see, I am not surprised it terrified my daughter. I was disappointed. I expected something with the Sesame Street name to be more child-friendly.

Although I knew HANDA’S SURPRISE would be very different, I was afraid that my little one would have some sort of theatrical PTSD. Plus, I had planned poorly. I had bought the tickets for a 1pm show back in October when she was still on a two nap schedule. The show would fall smack in the middle of nap time. She’d also been fairly cranky for the past couple of days—a new tooth coming in, I think—so I was keeping my fingers crossed she wouldn’t freak out again.

I had nothing to worry about. First of all, we weren’t entering a giant over-stimulating theater. The New 42nd Street Studios are an intimate theater space. Prior to the show, there were several different activities available for children including playing with balloon animals, coloring pictures of fruit and putting toy fruit into baskets. My daughter loves playing with crayons, so she did that for a little while before the show began.

The actual production was incredibly enjoyable. Seating was on the floor in the round, so all the children could be right up close. The performers Krystle Hylton (Handa) and Michal Keyemo (Akeyo) immediately engaged all of the children with their rhythmic singing, and by handing out fruit for the children to examine, adding a nice tactile dimension to the production. Two women, creative puppets, a capella singing—the exact opposite of the over-stimulation we experienced last weekend. My daughter was engaged for the entire 30 minutes, the perfect length show for a toddler. She told me later, the giraffe puppet was her favorite, with the monkey coming in a close second.

I am sure there is a place in this world for children’s entertainment like SESAME STREET LIVE. Maybe my daughter was just too young. Or maybe we should have brought ear plugs. But what I really wish is that more people knew about and had access to the type of work being done at The New Victory Theater. It always surprises me when I meet parets of young children in the New York City area who aren’t aware of the shows put on there. And if you are wondering about cost, even with the discount we received for SESAME STREET LIVE, the tickets for HANDA’S SURPRISE were still cheaper ($20 vs. $29.)

I look forward to seeing many more productions at the New Vic in years to come. And I am wondering, seriously wondering, how productions like HANDA’S SURPRISE could be made available to more children. Last year, BABBLE lead to my daughter’s first babbles. I have yet to see what surprises my daughter has in store for me after HANDA’S SURPRISE.

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BOOK BITES: Red Carpet Catering Mystery Series

When I came across Shawn Reilly Simmons’s RED CARPET CATERING MYSTERY SERIES, I knew right away I had to ask her to join me here for Book Bites. I mean, seriously: mystery, catering, movie sets… perfect fit, right? Next week, February 23, 2016 to be exact, Henery Press will be releasing two…that’s right, TWO new Red Carpet Catering mysteries: MURDER ON A SLIVER PLATTER and MURDER ON THE HALF SHELL. Today, Shawn Reilly Simmons gives us a little taste of both, along with a salmon recipe I tried out last night.

Who is your main character? Tell me about her.

Penelope Sutherland is the owner and head chef of Red Carpet Catering, and works behind the scenes on movie sets. She lives with her best friend, up-and-coming actress Arlena Madison.

What would Penelope choose for her last meal?

Penelope would choose herb roasted salmon with and Arugula salad, because it is her favorite thing to eat, and her most requested dish on the set.

How about you? What would you choose for your last meal?

I’d probably go with surf & turf: a New York strip and a Maryland crab cake. I graduated from the University of Maryland and then moved to New York, where I lived and worked for many years before returning to Maryland, so that would be a perfect fit for me.

Why should someone bite into THE RED CARPET CATERING MYSTERY SERIES?

MURDER ON A SILVER PLATTER and MURDER ON A HALF SHELL are culinary mysteries set in the glamorous world of celebrity and movies. My books appeal to readers of traditional, cozy mysteries who like a dash of romance, good food and strong female characters. I worked as an onset caterer, and my experiences inspire my series, and add authenticity to the novels. I hope my love of food and movies comes through to the readers as well.

Do you have a recipe you’d like to share?

Penelope’s Perfectly Roasted Herbed Salmon

Ingredients:

4  5oz boneless,  salmon filets (check for stray bones and pull them with tweezers)

Salt and Pepper

¼ cup Olive Oil

2 TBS lemon juice

2 TBS thyme

2 TBS chopped parsley

 

Preheat oven to 425 degrees.

Place salmon filets on a sheet tray lined with parchment paper and season generously with salt and pepper, skin side down. Whisk together olive oil and lemon juice and drizzle over the filets. Sprinkle herbs on top of the fish and place in oven on the center rack.

 Roast filets for 10-12 minutes until almost cooked in the thickest part. Remove from oven and let the fish rest for ten minutes before serving.

A perfect pairing for the salmon is a quick Arugula salad, simply dressed with olive oil and salt and pepper.  

Thank you so much for sharing this with us today! I spent a fair amount of time on movie sets on my acting days, and I consider myself a “foodie,” so I can’t wait to check out this series! And I am always looking for new ways to make our weekly salmon dinner interesting. I actually cooked this meal up last night, and it was the perfect healthy meal after a long weekend of munching on Valentine’s Day candy.

I tried out Penelope’s Perfectly Roasted Herbed Salmon recipe last night! It was delicious!!!

I added some grape tomatoes to the salad, since I had them in them on hand, but that was the only alteration.

You can connect with Shawn Reilly Simmons on her website www.ShawnReillySimmons.com. MURDER ON A SILVER PLATTER and MURDER ON THE HALF SHELL are available on Amazon for pre-order now!

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I AM SO EMBARRASSED: A Writer’s Shame

I am finding new ways to humiliate myself lately. And I don’t mean that Pilates class I took this morning.

On some level, it comes with the territory. We writers must expose ourselves to constant degradation. We share our dark desires with the world, even if they are fictionalized. We let random Amazon and Goodreads reviewers pummel us with unkindness. We hand over those freshly written words to the ravenous claws of our critique group. (Just kidding critique group. You are all lovely, even when you do rip my work apart.)

But this is not the humiliation I write about today.

No, this is something entirely different.

I think I did something very stupid.

I lost the proof copy of my novel.

I only had one. My debut novel was published with a small press, so although it I had the chance to proof quite a few digital versions after it had been edited and proofed by my publisher, I only received one paperback ARC (advanced reader copy) to proof. That was this summer. I read it multiple times, circled numerous typos, and put it on a shelf.

I recently realized that it was missing. Which of course, begs the question: where did it go? Did I accidentally send it out to one of my Goodreads Giveaway winners? Did I donate it to a library? Did I sell it at a conference?

Will someone, somewhere, in the very near future, open up a copy of my book and wonder why it has so many typos?

I’ll probably never know. It’s entirely possible that my toddler hid it somewhere. She’s done that with my cell phone numerous times. But at least the cell phone has GPS.

This lost proof copy has made me kind of nauseous. Incidentally, so did that Pilates class this morning.

This has been happening more and more often these days. The self-humiliation, I mean. And in the digital age, I don’t even have to leave the house to do it.

There was the time I misidentified a famous thriller writer in a blog post—only to be corrected by another famous thriller writer (who I kind of worship, so the experience was…well…humiliating.)

There was the time I failed to recognize the guest of honor at a writing conference, and then sputtered all sorts of apologies like a crazed fan.

There are all those typos that I have discovered–in blogs, in on line interviews– everywhere!  I even found a typo in my name once. And thank goodness I double checked the title of this blog post. I seriously almost misspelled “embarrassed,” and I’m NOT EVEN JOKING.

And this doesn’t even include the feeling of shame that overwhelms me every time I beg my Facebook friends to LIKE my writer page, or buy my book or to please, please, please write an Amazon review if they’ve read it.

So what’s a writer to do? I would ask you to share your thoughts in the comments, but then I will feel kind of humiliated when no one does comment.

I could stop blogging. I could stop attempting to promote my book. I could change my name, stop writing, and move to some remote island. Actually, that last one sounds like a pretty good idea.

Or I could use it in my writing. Which is what I just did.

I feel so much better now. Not really.

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Borrowing from Everyday Life

I am excited to welcome fellow playwright John Patrick Bray to Not Even Joking today. I have so much to say about his post… but I’ll let you read it first.

Borrowing from Everyday Life

By John Patrick Bray

“I sort of borrowed your unofficial national anthem for this next song. Don’t worry, I’ll give it back when I’m done.” – Tom Waits, introducing his song “Tom Traubert’s Blues,” which uses the chorus from “Waltzing Matilda,” during a concert in Australia in 1979.

I teach the dramatic writing sequence at the University of Georgia. I dedicate one of my dramatic writing classes to adaptations and, for lack of an appropriate term, “borrowing from” everyday life.  One of the key lessons is that everything we see, everything we hear, everything we do impacts our life as writers. In a way, we are adapting and “borrowing from” our own experiences for the stage. These experiences include time we have spent with other works of art, time spent with friends, and time spent in the act of listening.

There are a number of works which we can consider “verbatim” adaptations – works such as The Laramie Project by Moises Kaufman and The Tectonic Theatre Company; and Fires in the Mirror written and originally performed by Anna Deavere Smith, are both examples. Kaufman and his company listened to the citizens of Laramie, Wyoming in order to create their groundbreaking piece. Smith says that her approach to writing and performing is more akin to journalism, a departure from the traditional models of writing and acting in the U.S., which tends to be grounded in psychological realism/action-objective. For her play, Smith listened and reported, performing the various roles herself.   In Georgia, playwright Will Murdock has written for the Swamp Gravy: The Official Folk-Life Play of Georgia series, which presents dramatized histories and memories from the local Colquitt Georgia community.  As a personal example, The Acadiana Repertory Theatre in Louisiana produced a multimedia work, NightFears, which I co-authored with Keith Dorwick, a Professor of English at The University of Louisiana at Lafayette. Dorwick interviewed members of Acadiana and Lafayette Parishes, leading off with the question, “What fears really keep you up at night?” Dorwick recorded the interviews, a number of which were projected during performance, while I wrote scenes, monologues and vignettes based on those interviews – sometimes keeping them fully intact, sometimes using only an image. We listened, created, and reported.

What these “verbatim” plays have taught me, whether I’m writing something that is grounded in realism or not, is how to write truly believable dialogue, fully realized characters, while not losing a sense of theatricality (movement, music, images, etc.).

I ask the students in my dramatic writing courses to perform two exercises: the first exercise is aptly named “Voyeur.” I ask students to go somewhere in public – coffee shops, airports, bus stations, etc., to put on their headphones (as if they are listening to music), and to write down a conversation between strangers verbatim.  These conversations are then read aloud in class. We hear the rhythms of natural speech; we hear who dominates a conversation, if the listener is bored or completely invested; we learn when and where people pause; we learn why people pause; we hear repeated words, phrases; sometimes folks pause on a sound as they gather their thoughts. I ask them to take these conversational rhythms and incorporate them into a scene they are already working on. For the beginning writer, the results tend to be pretty incredible – their characters become more grounded, more real, and often, much funnier, whether the scene itself is comedic or not. I should mention that I tend to be of the Chekhovian school of thought – if a scene is dramatic, then having some humor will make it that much more poignant; if a scene is not dramatic, having characters mope about the stage will not accomplish much, and therefore the purpose of the scene needs to be reevaluated.  In short, there is much we can learn from natural speech, and our dialogue will only become stronger once we truly listen to people (and write it down!).

(Note: I am not the only one who enjoys listening to conversations between strangers and writing them down. For some non-theatre examples of the Voyeur exercise, be sure to visit the website “Overheard in New York”: http://www.overheardinnewyork.com/)

The second exercise is called the Interview exercise. I ask students to interview someone – a friend or relative. I ask them to lead off with a question having to do with a fear, a favorite food, a favorite song, or a cherished object/token. I tell the students to let the other person talk – don’t try to direct the conversation. If the interviewee starts going on a tangent unrelated to the question, feed that tangent. Follow it. I then ask the students to write a scene based on the interview. It can be a literal adaptation, or it can be something else – notes for a choreographed piece dealing with an object, a brief animation based on a single line, etc.  An example I like to show in class is Ryan, a short animated documentary about Canadian animator Ryan Larkin by Chris Landreth. Ryan won the 2004 Academy Award for Animated Short Film. The short combines interviews with Larkin and those closest to him with Landreth’s first-person narration dealing with his own fear of personal failure.   There are incredibly gorgeous images in the film, which are a combination (or hybridization) of realism and surrealism (for example, there is a character at a table who is smoking; the character seems to have no bones whatsoever; the way his flesh hangs over the table is reminiscent of Dali’s melting watches. In this case, we are watching a man melt away the last, long hours of his life while smoking an endless cigarette). Landreth also includes sequences from Larkin’s animated (and Oscar-nominated) shorts from the late 1960’s/early 1970’s.  At just over thirteen minutes in length, it is one of the most compelling animated shorts I have ever seen, and it opens up the students’ awareness of the multiple possibilities for stage, film, and animated works once we start looking outside of ourselves for inspiration. This is probably one of the most important components of the verbatim exercises: while writers have a personal stake in the world of story, the writers are forced to look outside of themselves for inspiration and for content.

Playwrights are life’s great pick pockets. We “borrow” fragments of known stories, of our own lives, of the lives of others, of art, of music, of food, of dance, and stir it all together in order to create our own new work for the world. This is the greatest function of the writer – to understand our own context, how that context shapes us, and how we, in turn might influence that context.  Wear your ear-buds, keep the volume off, and listen to people. Take note of what they say, how they say it, and just as important, what gets left unsaid. In time these voices will become second nature in your writing, and your characters will feel lifted from everyday life. You just need to listen. Listen, create, report.

John Patrick Bray (PhD, MFA) teaches at the University of Georgia. His plays have been produced Off-Off Broadway and in independent venues around the country, and a number of them have been published. For more information, please visit: http://www.drama.uga.edu/faculty-and-staff/john-patrick-bray

 

 

 

Thank you, thank you, thank you! I love what you write about borrowing and listening. I think this is an important skill for fiction writers as well (and really all artists.) We need to be present, to observe, to report. Sure that reporting might get skewed for the sake of fiction, but somewhere, even the most wild fiction must be grounded in some sort of truth. The exercises you wrote about also really spoke to me! When I was teaching young playwrights (at the high school level), I would have them do similar writing exercises. And incidentally, I also made both The Laramie Project and Fires in the Mirror part of my theater curriculum, not only because of each play’s content, but also because of the way each play was written. Thank you so much for sharing your wisdom here today!

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Time to Celebrate… and a GIVEAWAY!

I am excited to welcome award winning author of mysteries and thrillers, Darden North, M.D., to Not Even Joking today. After reading the post, be sure to leave a comment for a chance to win an audio book copy of North’s thriller FRESH FROZEN.

Time to Celebrate

By Darden North, M.D.

There is cause to celebrate as I begin this piece, at least for me and I hope as well for those who read and enjoy my work.  I just completed the first draft of my fifth suspense novel, “When the Bee Stings.”  While there will be rewrites and editing (much of each—I’m sure—based on past experience), I am happy. The driving force for me to complete a novel is a new idea, or two or three, for the next one.

My 2016 resolution is that number six will be crafted under a rigid schedule of rising early to write an hour or so daily, following a well-mapped story outline. Of course, that has been the plan before and a shattered resolution. However, “When the Bee Stings” was drawn from a loose synopsis and series of blurbs or “elevator pitches,” and that’s a start.  The major obstacle for me to rising early to write is that my full time medical and surgical career as an obstetrician-gynecologist generally requires a 6:45 am arrival to the hospital.  That’s already early in anyone’s book.

A common question asked of me in interviews or in simple conversation is How do you find time to write?  I think I’m like most people. I find time to do things I really want to do. And like most fiction authors, I find great satisfaction in creating characters and conflict. What could be more fun than dreaming up a fictional somebody that reminds any reader of someone they know (and maybe don’t really like), followed by throwing that poor somebody into all kinds of trouble on your page!

Back to reality—I noted a survey in the January 2016 “Contemporary Ob/Gyn” magazine in which physicians were probed regarding factors considered most important in their choice of the specialty. Only three percent answered Having a balance between work and personal life. While I personally found that number low and probably not representative of true soul-searching, I agree with the near majority that the ability to care for women throughout the patients’ lives, the ability to deliver babies, and overall job satisfaction are vital considerations.  Nowhere in the survey did it ask if time allotted to write medical thrillers and suspense novels was important.  I am fortunate in that my ob/gyn group in Jackson, Mississippi, is large, but still personable, and all of us doctors are provided time away from the office and hospital for family, friends, and other pursuits.

I have been in private medical practice since 1986 and a published novelist in print since 2005. My first novel “House Call” was followed in 2006 by “Points of Origin.”  Later came “Fresh Frozen” and most recently “Wiggle Room.” In the last few years, I have met the challenge of eBooks, particularly from a marketing aspect, but more recently spent time working successfully with narrators to produce “Points of Origin” and “Fresh Frozen” as audio books.  The next step, I hope, is the adaptation of my novels into film, which I believe is any author’s dream.  A few years ago, a trip to New York City to participate in the annual Mississippi Picnic in Central Park (typically held the second Saturday in June on Dead Road between the Bandshell and Sheep Meadow) connected me with a movie production team. Fingers crossed:  “Fresh Frozen” just might make it to the silver screen. By the way, if you will be in NYC June 11, 2016, please come by the Mississippi Picnic in Central Park and stroll through. I’ll be there (I think it’s at least my fifth appearance) signing all my novels with other authors and artists. There will be music, beauty queens, politicians, and other nice folks as well as sweet tea, fried catfish and maybe samples of caramel cake. I suggested to the event organizers that they put the caramel cake in the authors’ tent.

A native of the Mississippi Delta, Darden North, MD, is a nationally-awarded author and board-certified physician in obstetrics and gynecology. He practices full-time at Jackson Healthcare for Women in Jackson, Mississippi. A graduate of Ole Miss and the University of Mississippi Medical Center, he is a certified daVinci robotic gynecologic surgeon and proctor and still delivers babies. Wiggle Room, a captivating contemporary thriller published by Sartoris Literary Group and set against the backdrop of the Iraqi war and the Deep South, is North’s fourth novel. He has written three previous books—Fresh Frozen, House Call, and Points of Origin, which received the national IPPY Award, Southern Fiction category. Fresh Frozen and Points of Origin are also available in audio. North lives with wife Sally in Jackson and is currently writing a fifth novel. In his spare time, he gardens, takes long walks for exercise, watches TV, reads, and travels with family.  Sally and Darden have two young adult children, two dogs and two grand dogs. Visit Darden North the author online at: www.dardennorth.com.

FRESH FROZEN by Darden North, MD

Tinker Murtagh thinks his new job is simple, but he’s never robbed a medical clinic before—and he’s never dealt with someone like Dr. Henry Van Deman. In “Fresh Frozen” by Darden North, a childless young policeman and his desperate, infertile wife meet Lucille Wax and her sales catalogue of human embryo and egg donors. Suddenly their Mississippi community faces grisly murder, the world of Hollywood celebrity, and a physician with a hidden agenda.

WIGGLE ROOM by Darden North, MD

Brad Cummins is an Air Force surgeon who returns from overseas deployment after serving four months at the height of the Iraq War, during which he fails to save an injured soldier but mends the GI’s attacker. He endures rigid criticism from his peers, yet survives the medical tribunal’s investigation.

Back in Jackson, Mississippi, still blaming himself for returning the insurgent to the killing fields, Cummins discovers his look-alike brother shot to death and is certain that he was the intended target.

Both the police and Brad’s fiancée discount his fears as paranoia, forcing Brad to consult a psychiatrist. Then his fiancée is found murdered in his apartment. There is no doubt in his mind that he is marked for murder.

LEAVE A COMMENT BELOW FOR YOUR CHANCE TO WIN AN AUDIO BOOK COPY OF FRESH FROZEN. All comments are moderated, so don’t worry if you don’t see your post right away.

FOR ANOTHER CHANCE TO WIN, VISIT MY FACEBOOK PAGE, AND SHARE THE PINNED POST ABOUT TODAY’S BLOG.

GIVEAWAY WILL END AT MIDNIGHT ON SUNDAY, FEBRUARY 14th, 2016. WINNER WILL BE CONTACTED VIA EMAIL OR FACEBOOK (SO MAKE SURE I HAVE A WAY TO CONTACT  YOU WHEN YOU COMMENT.)

 

 

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Some LOVE for my readers: A short story and a GIVEAWAY!

It’s the week before Valentine’s Day, and I wanted to show my readers some love!

I’ve decided to share a comic short story I wrote a number of years ago. “Glass Slipper 101” was originally published by the now defunct Chick Lit Review back in 2007. It’s also up on my website…but who has time to go digging around on my website to read things. So I am sharing it right here, on NOT EVEN JOKING for your reading pleasure.

If you scroll down to the bottom you’ll see that there’s also a GIVEAWAY! I am giving away one ebook copy of SWIMMING ALONE this week to one lucky reader.

Be sure to check back this Wednesday. Thriller writer Darden North, MD will be joining me, and you’ll have a chance to win his latest audio book release.

So without further adieu, here’s my comic love story, GLASS SLIPPER 101.

Glass Slipper 101

By Nina Mansfield

 “You can always tell by their shoes.” Her mother’s raspy, Camel coated voice echoed over and over again through Allison’s mind as she glanced down sideways at Henry’s dusty, grey loafer, over stuffed with white sock, the navy Nike emblem creeping out from under the cuff of his tan slacks. Her mother’s words distracted her from the black velvet box she had seen Henry fumbling with earlier, and erased the visions of Vera Wang gowns that had been parading through the candlelight and into her risotto just moments before. If only he had presented the box, and the ring that it undoubtedly contained, before dinner, she would have leapt into his arms without hesitation. Now she sat dreading the question. If only the loafer had not come into view.

Again, the maternal words of wisdom rang out in her mind, despite the low hum of conversation and the violin music that filled the slightly over-the-top Tribeca bistro. “Trust me, the shoes are the shoes of the soul. That’s what my mother always told me, and I should have listened.” Allison could clearly picture her late mother Delores’ bronzed face and highlighted hair in her plate- her lip-lined mouth speaking the words that now permeated her mind.

It was only when Henry moved his foot to make way for the maître’d, that Allison awoke from her auditory hallucination.

“Happy Birthday.” Henry raised his glass and flashed his flawless smile. He then arched his thick eyebrows. “Is everything OK?”

There it was again, her thirtieth birthday staring her in the face. She hesitated slightly after his question; to hide the doubt that lurked in her mind, she smiled and reached for his hand, knocking over her fork onto the plush red carpet. She reached down to pick it up, only to be met with the unfriendly face of those loafers that screamed, “If he does ask- Just Say No!”

Were shoes really that important? Allison thought back to Delores’s first failed marriage. She barely remembered her father, or his snakeskin moccasins, as he had left them both when she was barely out of diapers to follow The Dead with a Ukrainian stripper. “The term ‘stripper’ is a euphemism,” Delores would grumble after one too many. But Allison had seen the photographs, and the shoes were indeed atrocious.  A monument to all that was heinous in early 70s footwear. Her mother’s second failed marriage was to a pair of Hushpuppies, who proved too timid for her tastes. She eventually left the Hushpuppies for a pair of Armani loafers who ended up dead before she could fully prove her theory. (Incidentally, he had slipped on a patch of ice and cracked his skull. The Armanis apparently weren’t for all-weather wear.)

Not long after the Armanis had taken flight, Delores delved into a leather-soled hedonism, maxing out her Bloomingdale’s card on silver stiletto’s and killer clogs, falling into debt from a pair of gold Gucci platform sandals that would be worn once, surrendering herself to a diet of canned tuna and boiled eggs to support a pair of thigh high Helmut Langs- a limited edition design worn to the Oscars by some forgotten Finnish starlet during her fifteen minutes. Only when the Amex bill went over-due and the Saks card was declined did Delores abandon her Imelda-like existence for the quick comfort of Turkish gold, and the steady sympathy of a dry one, stirred. Within a year she found herself beside the Armanis, and had undoubtedly rolled over multiple times due to the Payless pumps that escorted her into the afterlife. The rest of her collection had been auctioned off to pay for the casket.

Was that the life Allison was destined to live?  A series of unhappy unions followed by an eternity shod in plastic? She wriggled her toes in her roomy Easy Spirit espadrilles, as she downed the last drop of Prosecco. Before she could set the glass back down on the table, a tuxedoed waiter was at her side, ready for the refill.

Henry was prattling on about his polenta. He might pop the question at any moment! thought Allison. She tried to keep breathing and smiled, keeping her gaze far from the floor. Sipping slowly from the crystal flute, Allison wondered how she could have ever been duped by a man who did not own a shoehorn.

But of course! They had met at the beach. Well, sort of.  A Hamptons barbeque to be exact. They’d both been barefoot. She had noticed how cute his toes were. He complemented her on her toenail polish. After they both discovered their penchant for sunburns, and distaste for the pretentious hors d’oeuvre, they planted themselves under a conveniently out of the way weeping willow with a cooler full of Amstel Lights and a bag of Cape Cod chips, where they shared sunburn stories and onion dip.

“My most memorable sunburn?” She had asked coyly and divulged the tale of her scorched senior week feet, and the flip-flops she’d worn to her college graduation. “My mother was mortified,” she laughed, “But they were burnt to crisp. I was so careful about applying lotion, and somehow I just forgot the tops of my feet.”

“I wore flip-flops to my college graduation too- but you know, ‘cause I thought it was cool.”

Allison should have recognized the sign, but she’d been too busy swatting at mosquitoes while simultaneously inching her way toward Henry on the grass to be in prime lip-locking position.

On their second date, if you count the weeping willow as the first, Henry had suggested bowling. Oh, he sure was a sneaky one, thought Allison. She hadn’t had enough sense to check out which shoes he wore before the black and white rentals went on. After twenty-two gutter balls, a strike and a spare, she was smitten.

Third date: white water rafting. He’d managed to conceal his true nature until after he had won her heart with his amazing display of outdoor sportsmanship.

The plates were cleared, and Allison was presented with a dessert menu. “I think I’ll just have coffee. Black.”

“I’ll have the same,” Henry handed the menu back to the waiter with a wink.

The violinist began a moving rendition of “Bridge Over Troubled Water.” Again, the voice of Allison’s dead mother came back to haunt her.

Allison was transported back exactly fourteen years, to the day of her sixteenth birthday. Delores was throwing her a lavish Sweet Sixteen at the club, and Allison was planning to wear her first high-high heels- magnificent patent leather pumps with bows tacked onto the heels to match her dress. “They’ll make your legs look fabulous,” her mother had declared, as Allison wobbled around their Westchester condo, rehearsing for the main event. After hours of practice, her feet were covered with bloody blisters, and she had not completely found her balance. That evening, after a thorough foot soak, and a visit to the hair salon, Allison slipped into the floral strapless that had been hanging on her closet door for weeks. First high-high heels, first strapless dress, first pair of seamed pantyhose. And first real date, with Billy Gritts (who in a year would wear high-tops to the prom and dump her for a cheerleader with a rack. But that’s neither here nor there.)

Allison waited until the last possible moment to squeeze into her shoes. Her feet were swollen and numb, but her mother was right. They did make her legs look fabulous. The doorbell rang, and she heard Delores’s voice sing out that Billy had arrived. Allison reapplied a coat of red lipstick, and sprayed her hair into place one last time before inching her way down the dark hallway, holding onto the wall. She pulled up her dress, adjusting her small cleavage, and made her grand appearance at the top of the staircase. Billy stood below wearing a tie and jacket, holding a corsage. Allison began to inch her way down the staircase. One step.  She felt like Vivien Leigh in Gone with the Wind. Two steps. Audrey Hepburn in My Fair Lady. Three steps. Michelle Pfeiffer in Scarface. And that’s when her heel caught on the stair and down she flew. Dolores, light on her feet in a pair of Pradas, sprung into action, and broke her airborne daughter’s fall, mid-flight. Allison came too momentarily, mangled in the banister, dress down to her waist, displaying her virgin breasts to the speechless Billy, who would never lay eyes on them again, despite his many efforts.

Her embarrassment was allayed only by the physical shock. Allison spent her Sweet Sixteen shivering near the buffet table, entranced by the shear multitude of purple helium balloons that surrounded her.

“You know, you really should get up and dance. You don’t want your date to think you’re a dud!” Allison could do nothing but look up into Delores’s blue-lined gaze with disdain. “Oh honey, I just want you to have fun. Besides, you’ve passed middle age. Once you hit thirty, it’s all over.”

Once you hit thirty it’s all over. Once you hit thirty, it’s all over. Once you hit thirty it’s all over.

Out of the blue, Allison and Henry were descended upon by seven tuxedoed waiters belting out a bastardized version of the birthday classic.

“Happy happy Bir-irthday, Happy happy Bi-irthday…”

They surrounded the table, holding a chocolate mousse cake, over-flowing with fire.

“Happy Happy Bir-irthday, Happy happy Bi-irthday…”

Henry, who had been fumbling through his jacket pockets just moments before suddenly swooped down onto one knee, clutched Allison’s hand adoringly, and presented her with a dazzling solitaire. The waiters stopped vocalizing and Henry became the center of attention.

“Will you…” He paused. The silence was deafening. Allison could not help but stare at the garish whiteness of his socks.

Allison looked back up at Henry, but his eyes appeared troubled. The waiters stood speechless. The candles on the cake continued to burn.

Gradually, Henry’s gaze turned downwards, and gawked at her own Easy Spirit espadrilles with horror. More appropriate for a soccer mom than fine dining, the canvas shoes were scuffed from wear and hardly matched her pale pink sheath and tasteful pearls. She would never have gotten away with such inappropriate footwear while Delores was alive, but Allison insisted on comfort, and had refused to don a pair of heels since her tumble into toplessness.

The silence grew unbearable. All eyes were on the espadrilles. Allison knew what had to be done.

Without a moment more of hesitation, Allison broke the silence with a resounding “Yes,” crossing her feet at the ankle, and snatching the ring from the box. A collective sigh of relief rang out among the waiters, who placed the cake, a veritable inferno, onto the table.

Even Henry was awoken from his momentary shock, and made his way back to his chair. “Think of a wish honey, before we burn the place down.”

But Allison had no trouble deciding what she wanted. She closed her eyes tightly, and heaved all the air out of her lungs, extinguishing thirty candles in one fell swoop.

Gradually, her eyelids peeled open, and she cautiously looked down. The loafer was still in plain view. Alas, her wish had not come true.

Copyright © 2007 by Nina Mansfield

Thanks for reading! And don’t forget to enter the giveaway below!

 

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Where do you get your ideas?

I am excited to welcome playwright, theatre director and journalist Julia Pascal to the blog today to answer a question that every writer gets asked.

Where do you get your ideas?

By Julia Pascal

Where do you get your ideas?

That is the question I hear most frequently when I say I write plays.

I am 15. The place is a library in South London. I see a man in a dog-collar so I assume he will know the answer to my question.

Can you tell me about the end of the world?

He looks at me with alarm and then, with a broad Irish accent replies, ah don’t worry about it.

He saw an anxious adolescent who was in fear of apocalypse but it was a genuine fascination for Christian eschatology. I am a secular Jew and am not obsessed with fantasies of the world’s end but I have always been intrigued by the way this has inspired other artists. Hieronymus Bosch’s Last Judgment triptych can hold my gaze for hours.

In 2013 I spent time in Pennsylvania with hundreds of evangelical Christians who believe the Bible literally and who live their lives in the hope of the Second Coming. I grew up in a Christian England that did not like Jews and meeting all these men and women who told me they loved me was a surprise.

Part of the biblical narrative for the Second Coming is Jewish return to Israel.  To these Christians who were of a variety of denominations, I represented part of that plan even if 1) I do not live in Israel and 2) I don’t believe in Jesus as messiah and I am an atheist.  To them, my very presence is part of the larger plan.

Researching in English archives I also saw the links between  these evangelicals and the English Republic 1649-1660. During the Cromwellian  Protectorate Protestants discovered ‘the Hebrews’ while reading the Old Testament. At this point millennium fever was rife as the magical year of 1666 approached.

The problem was how was I to make these exciting elements into a cohesive play. I asked myself what is it that I really want to write about. The answer was that I needed to express a history that has been annihilated: Jewish life in England before it is widely acknowledged in the late nineteenth century. The symbiotic connections  between Judaism and Christianity needed dramatizing.

Also there was the question of form. I knew this could not be a naturalistic play, but what style would fit? I often find plot difficult until I have a central character. She appeared in my brain as Joan England, an English Jew who had hidden herself in a grave when Jews were deported in 1290. This woman would be a kind of Shakespearian Greasy Joan. Once I knew her voice and her personality, honest, raw and rude, I had the play’s action. Joan must be a modern woman. She is discovered by a Crossrail worker. Excavations are always revealing exciting histories here. Why not have a living history? A woman who never dies?

However I then had to plot in some background and I had no desire to write a history play. How could I bring Oliver Cromwell and the Dutch Rabbi, Menasseh ben Israel, into the narrative without going into naturalism and historical drama. The answer was in Joan. She as a woman of the people, a time traveller, a kind of Jill of All Trades. She could conjure up Oliver Cromwell as a glove  puppet.  Peter Brook’s Rough Theatre was the way through such problems. I could have players and street theatre to give me the period, the craziness of Republican England and the religious fervor of the time.

The final section of the play takes Joan to modern Israel where she meets a hospital patient who turns out to be Sarah from Genesis. Joan decides to convert her. This is a coup as the conversion of the Jews is part of the prophecy that will hasten the Second Coming. The struggle between the two women is the final conflict that leads to the ultimate experience: The End Of The World. How was I to stage that?

Ideas come in the most unusual ways. I was in Paris at Christmas with my French husband. He asked me do you want to see the shop windows in Galeries Lafayette? Expecting a display of bling I was surprised to see vitrines of flying angels and characters who were manipulated by pulleys. All was computer-programmed but the mechanism reminded me of images of  flying devices in ballet, pantomime and popular theatre. I felt that this was the key for me.  This is how I would imagine the End Of The World. Simply and magically. As close to Bosch as I can make it.

The second draft is done and there are two new women characters of any age who are archetypes that offer huge roles for actors who can be of any age.

Taking on huge ideas and presenting them simply is what  pleases me in the work of Alfred Jarry, Bertolt Brecht and Joan Littlewood.  These are my writing parents and I acknowledge my debt to their wild creativity.

Back to the original question – where do these ideas come from?  I believe they are born in our 5 year old selves.

Julia Pascal is a playwright, theatre director and journalist. Her collection Political Plays is published by Oberon Books, London 2013. You can learn more about her at her website www.juliapascal.org.

Crossing Jerusalem is at the Michael-Ann Russell Jewish Community Center, Miami in February. The play has been voted one of the 10 best plays in the 2016 Jewish Playwriting Contest.

 

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BOOK BITES: Kiss of the Virgin Queen

If you’ve been following this blog, you know that one of these days I plan to write an epic historical novel. And my current work-in-progress is a paranormal romance. These are just two of the reasons I am thrilled to welcome Sharon Buchbinder today to tell us a little bit about her Historical Paranormal Romance, KISS OF THE VIRGIN QUEEN (The Wild Rose Press, October 14, 2015). She also shares a slow cooker recipe for pot roast, which is the perfect homey dish for this cold and stormy time of year!

Who is your main character? Tell me about her.

Makeda, Queen of Sheba, the country now known as Ethiopia. She was born in 985 B.C.E., ascended the throne at the age of 15, and travelled to find wisdom and meet and fall in love with King Solomon at the age of 18.

What would Makeda, Queen of Sheba choose for her last meal?

Injera bread, spicy beef stew (key wat), and tej, honey wine, and dates and pomegranates for dessert. This is her comfort food, all the flavors she grew up with and was served as a child.

How about you? What would you choose for your last meal?

Grits with loads of butter, fried eggs and fried green tomatoes. My family roots are in Kentucky. This is my comfort food.

Why should someone bite into KISS OF THE VIRGIN QUEEN?

As the only foreign Queen mentioned in the Bible who appears to be considered an equal to King Solomon, the Queen of Sheba has been claimed by no less than three countries and four major religions. The idea of a romance between the Queen of Sheba and King Solomon, two great and powerful heads of state is irresistible. Likewise, many wonder what happened to their descendants. This book contains both story lines.

Do you have a recipe you’d like to share?

I don’t have a recipe for Ethiopian spicy beef stew, but I do have my mother-in-law’s pot roast recipe. Using a crock pot makes this recipe a “set it and forget it” meal prep.

Gert’s Pot Roast, Slow Cooker Style

  • 3 pounds brisket
  • Large container Paprika
  • One large onion
  • One 1 pound bag baby carrots
  • One head cauliflower or 4 large potatoes, peeled and cut into chunks
  • 6-8 Beef bouillon cubes
  • 6-8 Cups water (depends on size of cooker)
  • Olive oil
  • Horseradish
  1. Place entire bag of baby carrots on bottom of slow cooker
  2. Chop onion and sauté in olive oil until light brown. Place onions in slow cooker on top of carrots.
  3. Coat brisket in Paprika and sear in hot pan that you’ve used for onions. Place brisket on top of onions.
  4. Cut cauliflower into florets. Place florets (or potatoes) on top of brisket.
  5. Put in 6-8 beef bouillon cube and pour 6-8 cups of water over everything. Amount of water depends on size of your cooker and how salty you like your food.
  6. Cover and simmer on medium/high for 6-8 hours–depending on how hot your cooker gets.
  7. Serve on a large platter with side of horseradish.

Thank you so much! KISS OF THE VIRGIN QUEEN sounds so intriguing! And I have to say, your cover is perhaps the sexiest to ever be featured on BOOK BITES! Also, this pot roast recipe sounds like something I will make very, very soon. I love using my crock pot, because “set it and forget it” is definitely the way to go. You also got me thinking about Ethiopian Beef Stew. Would you believe I have Moroccan Beef Stew cooking as I type up this blog post? I’m NOT EVEN JOKING!

You can connect with Sharon Buchbinder on her Website. And you can find KISS OF THE VIRGIN QUEEN on Amazon.com and BarnesandNoble.com.

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